Audio
Familiar • Gigolo Serenade Part Two • I've Been Thinking A Lot About Death Lately • Michaelangelo's Pieta • Courting •
• • •
Writing Samples
Post-Prom Poetical • An Experiment In Love With Two Performers Who May Or May Not Be Involved With Other People • Twitter Plays •
Twitter Plays
So I've started writing Twitter plays for the NY Neo-Furutists [See anything titled Twitter plays]. Since I'm experimenting with shorthand to get more into the limited post length, I thought I'd offer some translations.
Assignment: write a 1-tweet play that includes a song (or music in general)
@ n y n e o f u t u r i s t s F o o d P r n [ B r r y W h t e P l y s . N e o s E n t r E a t n g . 1 - b n n a . 2 - t w n k e . 3 F e e d s 4 W h p p d C r e a m . 5 L c k s C r e a m F r m D n u t . 6 E n t r s W / P i e . ] 5 : N o m ! [ 5 S h v s F c e I n P i e . ]
@nyneofuturists Food Pron [Barry White plays. Neos Enter Eating. 1 with banana. 2 with twinkie. 3 feeds 4 whipped cream. 5 licks cream from donut. 6 enters with pie.] 5: Nom! [5 shoves face in pie.]
Assignment: write a full play (1 tweet) that has a big kiss in it.
@ n y n e o f u t u r i s t s [ A U n d r S h e e t B S p o o n A B U p ] B : T h s = M y E m b r c e W e C r l T g t h r M y M o u t h K s s s Y r N c k M y K n e e s 2 T h B c k s O f Y r s O u r B d y s F r m C S h l l s S p r l l n g I n t o E c h O t h r
@nyneofuturists
[A under sheet. B spoons A. B up.]
B
This is my embrace. We curl together. My mouth kisses your neck. My knees to the backs of yours. Our bodies form sea shells spiralling into each other.
Curtain.
Assignment: write a full play (1 tweet) that takes place in SPACE (difficulty: no Hubble)
Neo-Alien0.5: All Neos on stage. All open mouths. Hold for 10 seconds. Curtain.
Assignment: write a full play (1 tweet) that incorporates food (difficulty:NO pie-throwing)
@ n y n e o f u t u r i s t s L n g P g [ A E t P g ] C : P g Z S o C l s 2 H m n B : E t H s B d y C : C n n b l s C l l U s B : D r n k H s B l d C : L n g P g B : B d y O C h r s t C : E t n g I t M k U s S t r n g r B : B l d O C h r i s t C : I t M k s U s H l y
@nyneofuturists
Long Pig
[A eats pig.]
C: Pig is so close to human--
B: Eat His body.
C: --cannibals call us--
B: Drink His blood.
C: --long pig.
B: Body of Christ.
C: Eating it makes us stronger.
B: Blood of Christ.
C: It makes us holy.
Curtain.
Assignment: write a full play (1 tweet) using an "interrogation room"
@ n y n e o f u t u r i s t s T k e M y B r e a t h A w y [ A T i e B 2 C h a i r T p e M o u t h ] A : T l l M e [ P n c h B N s e ] T l l M e H w U R F l l O f L v [ A S t r d l s B ] L t W r d s D n c e 2 Y r < 3 B e a t A s B l o o d R s h s 2 Y r E a r s
@nyneofuturists
Take My Breath Away
[A ties B to chair and tapes mouth]
A: Tell me. [Pinch B's Nose.] Tell me how you are full of love. [A stradles B.] Let the words dance to your heartbeat as blood rushes to your ears.
Curtain.
Post-Prom Poetical • An Experiment In Love With Two Performers Who May Or May Not Be Involved With Other People • Twitter Plays •
• • •
• • •
Photography Samples
• • •
Publications
A Gathering Of The Tribes • In Our Own Voice • Maganda Magazine • Bamboo Girl •
• • •
Performance
Providence Improv Festival • TOO MUCH LIGHT MAKES THE BABY GO BLIND • Bard College • The Poetry Project at St. Mark's Church • Vassar College • Jigsaw • La MaMa Experimental Theatre Club • Asian Arts Initiative • the Kelly Writers House • Acentos • Bowling Green State University • National Asian American Poetry Festival • Asian American Writers' Workshop • the 215 Festival • The Philippine Embassy • Philadelphia Poetry Festival • Philadelphia Free Library • Bowery Poetry Club • Lehigh University • Borough of Manhattan Community College • Hampshire Poetry Festival • University of Connecticut • Poetry Dialogues: Balagtasan @ the Geraldine R. Dodge Poetry Festival • Yale University • Dixon Place • Fordham University • Swarthmore College • The New York Comedy Club • Fordham University • Princeton University • Polytechnic University • the Cornelia Street Cafe • Pace University • Franklin and Marshall College • Benjamin N. Cardozo School of Law, Yeshiva University • the Philadelphia Fringe Festival • SKETCHOFF!#%!! 4th Annual Asian Comedy Night • the Philadelphia Fringe Festival • the New York Fringe Festival • Columbia University • Amherst College • Cantab Lounge • Juna's • Princeton University • Cornell University • Williams College •
• • •
Bio
F. Omar Telan was born in Industrial Philadelphia during the beginning of the 1876 centennial. With his decidedly halo halo background, Omar adds a singular perspective to Asian American expression. Influenced heavily by Neo-Surrealism and absolutely suburban fabulous, Omar appeals to his fellow artist who understands how satire sometimes involves eating children. Bombastic and introverted, he fascinates the casual audience with his ability to plumb the underbelly of his own psyche while simultaneously appreciating delicious, chilled plums.
After his father transplanted the family in the summer of 1876, Omar grew up in the then rural outskirts of Philadelphia. Omar's sole escape from the farmer's hard life was his imagination. Omar lived a separate life in the land of Honah Lee. By sheer force of will, Omar would transfer his entire body through the looking glass.
Later moving to Boston in 1894, Omar enrolled in the fledgling school of oratory known as Emerson College. To further pursue his own deification and immor(t)ality, he moved to New York City in 1897. But then came the Great Exodus of the Aughts when many fled the Naked City for greener pastures such as the City of Brotherly Love. As of 1907, he has made his home in the Sylvania. Omar has challenged audiences ranging from the La MaMa Experimental Theatre Club to the Dodge Poetry Festival to the Philippine Embassy with his brand of humor, social commentary, and gulliness. Word.
• • •
Serious Bio
Born in Philadelphia and raised in its outlying suburbs, F. Omar Telan graduated Emerson College and the Radcliffe Publishing Course. Making his directorial debut at La Mama E.T.C. (NYC) with THE EDGE OF THE WORLD, he has performed theatrically at P.S. 122 (NYC), the New York Fringe Festival, and the Philadelphia Fringe Festival. His poetry has been published in journals such as A GATHERING OF THE TRIBES and OUR OWN VOICE; and he has read his work at the Poetry Project at St. Mark's Church (NYC), the Kelly Writers House (Philadelphia), the National Asian American Poetry Festival (NYC), the Philippine Embassy (DC), and the Geraldine R. Dodge Poetry Festival (Waterloo Village, NJ). As a member of the New York Neo-Futurists, he shared a 2006 New York Innovative Theatre Award for Outstanding Performance Art Production for TOO MUCH LIGHT MAKES THE BABY GO BLIND.
• • •
Social Networking
• • •
This work is licensed under a Creative Commons Attribution - Noncommercial - No Derivative Works 3.0 United States License.
photo of me peeking by Jen Cleary